Friday, 31 March 2023

War Poetry

 Thinking Activity:- War Poetry 


Hello Readers! This blog is a response to the Thinking Activity assigned by Megha Ma'am. In this blog I am going to discuss War related Movies or Songs. Which is related to war Kind of things. 


War poetry:-



War poetry is a literary genre originated during the time of war when hundred of soldiers, and also civilians caught up in conflict. They started to write poetry as a way of striving to express extreme emotions at the very edge experience poets have written about the experience of war since the Greeks, but the very young soldiers poets of the first world war established war poetry as a literary genre. Their combined voice has become one of the most defining text of Twentieth Century Europe.

Important War poets:-


  • Siegfried Sassoon
  • Wilfred Owen
  • Rupert Brooke
  • Wilfrid Wilson Gibson
  • Ivor Gruney 

Characteristics and Themes of War poetry:-


  • It used gruesome and showing imagery.
  • It signed a break off from the contemporary poetic tradition
  • Realist documents of war with all its brutality
  • The loss of innocence
  • Brotherhood and Relationship
  • The horror of war
  • Disillusment with religion
  • Emotions and feelings 

War Poetry is not necessarily anti-war. It is, however, about the very larg questions of life: identity, innocence, guilt, loyalty, courage, Compassion, humanity , duty, desire, death. It's response to these questions, and it's relation of immediate personal experience to moments of national and international crisis, giver war poetry an extra literary importance. Owen wrote that even Shakespeare seems vapid after Sassoon: not of course because Sassoon is a greater artist, but because of the subjects.

Now discuss the Kesari movie as War Movie.

'Kesari'




Kesari is a Hindi - language war movie released in 2019 directed by Anurag Singh. The movie is based on the true story of The Battle of saragarhi, which took place on 12 September 1897 between the British Indian Army and Afghan tribesman in the north-west Frontier province (now Khyber Pakhtunkhwa, Pakistan) . Trailer of the movie is as below.


The movie is set in the late 19th century, and the story revolves around Havildar ishar singh, played by Akshay Kumar, a soldier in the British Indian army who leads a group 21 Sikh soldiers in the battle of saragarhi. The Sikhs, stationed at a small outpost, are tasked with guarding a British communication post between fort Lockhart and fort Gulistan.

However, the communication post comes under attack by a large number of Afghan tribesman, and the 21 Sikh soldiers under ishar Singh's leadership valiantly fight back. Despite being heavily out numbered the Sikhs refuse to surrender, and instead , they fight to their last breath to protect the post.

Kesari is a gripping war movie that showcases the bravery and courage of the Sikh soldiers who fought in the battle of saragarhi. The movie portrays the Struggles and sacrifices of the soldiers who fought for their country and their honor. It highlights the bond of brotherhood and the spirit of nationalism that motivated these soldiers to fight against all odds. 

The movie also highlights the historical significance of the battle of saragarhi and how it become an inspiration for the Indian independence movement.  Overall, 'Kesri' is a powerful and emotional war movie that honors the bravery and sacrifices of the soldiers who fought in the battle of saragarhi. 


Theme of the movie 'Kesari':-


The main theme of 'Kesari' is the bravery and sacrifices of the 21 Sikh soldiers who fought in the Battle of saragarhi against overwhelming odds. The movie portrays the soldiers, unwavering commitment to their duty and their sense of honor, as they fight to protect their post and their country.

Overall, Kesari is a tribute to the courage and sacrifices of the soldiers who fought in the Battle of saragarhi and their contribution to the history of India. The movie celebrates their heroism and inspires viewers to value the importance of patriotism, brotherhood , and sacrifice. 


Conclusion:-


To sum up, 'Kesari' is a gripping war movie that tells the story of The Battle of saragarhi, where 21 Sikh soldiers fought against a large number of Afghan tribesmen to protect their post and their country. The movie portrays the bravery and sacrifices of these soldiers, their sense of duty, loyalty and commitment to their cause. 'Kesari' is a tribute to the heroism of the soldiers and a celebration of their contribution to the history of India.


Thank you visiting and reading...

Thursday, 30 March 2023

Assignment: Paper no. 109



  • Name:- Payal Bambhaniya

  • Batch:- M.A. Sem. 2 (2022-2024)

  • Roll no. :- 14

  • Enrollment no.:- 4069206420220002

  • Paper no.:- 109

  • Paper Code:- 22402

  • Paper Name:- Literary Theory & Criticism and Indian Aesthetics

  • Topic:- Rasa Theory 

  • Email ID:- payalbambhaniya92@gmail.com

  • Submitted to:- SMT S. B. Gardi Department of English, MKBU.


Table of contents:-

  • Introduction
  • Rasa Theory
  • Nine Rasas
  • Conclusion 

Rasa Theory:-




Introduction:-


Indian Poetics refers to the study of poetry and literary Criticism in the Indian subcontinent. Poetics menas an internal theory of literature which defines, explains and judges the variety of literary works. The word Indian Poetics is often known as Sanskrit Poetics that lays principles and laws for interpretation of different literary forms. Bharat is known as the first pioneer of literary theory in Indian literary tradition. Bharata is a Philosopher of Kavya Shastra, his Natyashashtra is regarded as the major text of Indian Kavyashastra.Natyashashtra contains thirty seven chapters. The sixth chapter is the most important and crucial one. The  chapter is about the comprehensive analysis of rasa Theory, its manifestation, its experience, types of rasa and their nature.


Different Schools of Literature:-


  •  Emotions - રસ 

  • Implications -  ધ્વનિ 

  • Principal of figurativeness - અલંકાર 

  • Mode of Expression - રીતી 

  • Principal of Deviation - વક્રોક્તિ 

  • Propriety - ઓચિત્ય 


About Bharata :-


Bharata is known as the first pioneer of literary theory in Indian literary tradition. Bharata belongs to the second century BC, he writes Natyashashtra, in which is, the source text of many literary theories. It deals with the theory of Rasa that has been interpreted in various ways by different Philosophers and literary scholars. Rasa Theory asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.


Rasa Theory:-



Rasa means essence, taste of flavour. Indian concept of aesthetic flavour, an essential element of any work of visual, literary, or performing art that can only be suggested, not described. It is a kind of contemplative abstraction in which the inwardness of human feelings suffuses the surrounding world of embodied forms. 


The theory of rasa is attributed to Bharata, a sage- priest who may have lived sometime between the 1st century BCE and the 3rd century CE. It was developed by the rhetorician and Philosopher Abhinavagupta, who applied it to all varieties of theatre and poetry. The principal human feelings, according to Bharata , are delight , laughter, sorrow, anger, engery, fear, disgust, heroism and astonishment, all of which may be recast in contemplative form as the various rasas: erotic, comic, pathetic, furious, heroic, terrible, odious, marvellous, and quietistic. These rasas comprise the components of aesthetics experience. The power to taste rasa is a reward for merit in some previous existence.


The word rasa appears in ancient Vedic literature. In Rigveda , it connotes a liquid, an extract and flavor. In Atharvaveda, rasa in many contexts means "taste", and also the sense of "the sap of grain". According to Daniel Meyer- Dinkgrafe- a professor of Drama, rasa in Upnishadas refers to the "essence, self- luminous consciousness, quitessence" but also "taste" in some contexts. In post Vedic literature, the word generally connotes "extract, essence, juice or tasty liquid". The concept of rasa is fundamental to many forms of Indian arts including dance, music, theatre, painting, sclupture, and literature, the interpretation and implementation of a particular rasa differs between different styles and schools. 


The origin of Rasa theory is in the sixth chapter of Natyashashtra, the Rasasutra. Bharat writes: विभािानुभािव्यभभचारिसंयोगाद्रसननष्पवि. The Sutra means that the aesthetic pleasure of an emotion happens by the integration of three elements: 


  • Vibhav

  • Anubhava

  • Vyabhicharibhava


Vibhava:-  Vibhava means something that causes the rise of an emotion. So Vibhava  is a cause or determinant of an emotion. It is  हेतु, कारण or निमित . It is the objective condition producing the emotion like a set of objects, a situation, or a chain of events that would cause certain emotions. The primary purpose of Vibhava is to create the awareness of the emotions that the author intends. Vibhavas are of two types: one is alamban Vibhava and the other is uddipan Vibhava. Alamban Vibhava means the person or persons with reference to whom the emotion is manifested. Uddipan Vibhava means the external circumstances that help in enhancing the emotion. 


Anubhava:- Anubhava means the expressions. The gestures, smile, and glance of the person would be anubhava. The gestures are expressive of what is going on in the heart and mind of the two persons.


Vyabhicharibhava:- Vyabhicharibhava are transient emotions which are not primary emotions but reinforce the primary emotions. For instance, a woman eagerly waiting for her husband may feel anger for his being late, may feel anxious thinking that something might have happened to him, may feel happy at the thought of endearment might have happened to him, may feel happy at the thought of ending words he would say upon arrival. The interplay of Vibhava, anubhava and vyabhicharibhava leads to sthayi bhava. There are eight sthayibhavas discussed by Bharata in Natyashashtra and there are eight rasas. There are 4 pairs of rasas. For instance, Hasya arises out of Srinagara. The Aura of a frightened person is black, and the aura of an angry person is red. Bharata Muni established the following:-


  • Romance- शृंगार 

  • Laughter- हास्य 

  • Fury- रौद्र 

  • Compassion- करुण 

  • Disgust- बीभत्स 

  • Horror - भयानक 

  • Heroism - वीर 

  • Wonder- अद्भुत


And a ninth rasa was added by later authors. This rasa is Shantam: Peace or tranquillity.


  • Romance - शृंगार रस


Bharata defines Srinagara rasa as " Whatever is sacred, pure, placid and worth-seeing can compose to shringara." Shringara rasa is a sthayibhava of love, whatever in the ordinary world is bright, pure, shining or beautiful is associated with love. It arises from vibhav such as a representation of the seasons, garlands, ointments, ornaments, people to one object of the senses, fine, homes, love making, going to gardens, listening to music, watching games and so forth. According to Bhojaraja, Sringara creates an attachment of a person to himself. His personality is expanded because of his self-love and self-attachment. Shringara rasa is of two types Sambhog rasa and Vipralambha Sringara rasa. The sambhog rasa means love in union and Vipralambha means love in separation. 


  • Compassion - करुण रस 


Karun rasa has its central emotions as sorrow and pathos and are found very importantly both in Mahabharata and Ramayana. Bharata states in Natyashashtra that karun rasa means companate or the pathetic and sorrowful that comes from the primary rasa of Rudra or the furious. The result of furiousness should be known as the aesthetic experience of compassion. It is clear that Rudra is the primary source of the karun rasa and that leads to pathos or sorrow. 


  • Rudra - रौद्र रस 





Rudra rasa indicates the sentiment of anger and furry. In the Natyashashtra the Rudra is explained as: it has anger for its permanent emotion. Demons, monsters and violent men are its characters. It is caused by battles. It arises from such vibhav as anger, provocative action, insult, lies, assaults, harshwords, oppression and envy. The sthayibhava or permanent state of Rudra is anger. This rasa is releted to an arrogant and angry state of mind. It has its roots in cruel actions and deeds. The vibhav of Rudra rasa is related to arrogent and angry state of mind.


  • Heroism - वीर रस 


Vir rasa is derived from Utsaha, the sthyibhav of vir rasa is an enthusiasm, and discipline, power, courage, might and velour are some vibhav of its. The Sancharibhava of vir rasa are patience, remembrance, dignity etc. It is divided into the cause of the heroism. Vir rasa includes both internal and external conflict. The relation of vira rasa to other rasa is explained in Natyashashtra as: the awesome aesthetic experience comes from the heroic…the result of the furious should be known to be an aesthetic experience of compassion. 


  • Laughter - हास्य रस 


Hasya rasa is an important sentiment of any literary work of art. Humor in work of art is not only comic relief but also it is predominant rasa. In all kinds of literature the Hasya rasa is found as the chief element which holds the attention of the perceiver. A literary work of art may turn uninteresting without the comic touch in the story, it will turn into heavy and unexciting watching or reading. In Natyashashtra it is said, when one laughs on one's own , that laughter is said to be existing in one. When one causes another person to laugh, the laughter is said to be existing in another person. The purpose of satire is to ridicule someone. It is a force indicating the weakness of contemporary social and religious life. It satirizes the weakness of society.


  • Wonder- अद्भुत रस 


The Adbhut rasa is known as a marvelous sentiment. In Natyashashtra, Bharata explains the Adbhut rasa as follows, the permanent emotion of Adbhut rasa is wonder. It arises from such vibhav as seeing heavenly beings, gaining one's desired object, going to a temple, a garden or a meeting place, or seeing a flying chariot, a magic show. The feeling of wonder is involved in the state of excitement. The consequences or reaction of Adbhuta rasa dilation of eyes, horripilation, tears. 


  • Horror and Disgust - भयानक रस और बिभत्स रस 

Bhayanaka and Bibhatas rasa deals with the terrifying and the disgusting emotions. These rasa are generally put together because these two rasa are so intimately connected, looking at them in isolation would make their discussion a little incomplete. In Natyashashtra Bharat Writes, the sight of the disgusting is terrifying. Bhayanaka rasa has fear. It arises from such vibhav as ghastly noises, seeing of supernatural beings, ghosts, fear and panic. The proper treatment of the emotions of fear and its representation of the Bhayanaka rasa can be developed.


  • Peace - शांत रस 


Shanta rasa suggests a state of calm. The Sthayibhava of Shanta rasa is sama which leads to moksha, arising from vibhav such as knowledge of the truth, detachment, purity of mind etc. It should be acted out by means of anubhav , such as yama and niyama. Relishing the rasas and particularly Shanta rasa is hinted as being as good as but never equal to the bliss of self realisation experienced by yogis.


Conclusion:-


To sum up, Rasa theory takes into consideration the entire literary process from its conception in the mind of an artist to its final perception in the heart of a perceiver or reader. Rasa theory has a tremendous linguistic potential. Rasa theory emphasises the importance of emotions and aesthetic experience. It also recognised the role of cultural and historical context in shaping language and communication. 


Words count:- 1,776

Images:- 11

Assignment:Paper no. 107

 

Name:- Payal Bambhaniya

Batch:- M. A. Sem. 2 (2022-2024)

Enrollment no.:- 40692064202221

Roll no.:- 14

Subject Code:- 22400

Paper no.:- 107

Paper Name:- The Twentieth Century Literature: From World War II to the End of the Century

Topic:- '1984' as a Dystopian Fiction 

Email ID:- payalbambhaniya92@gmail.com

Submitted to:- SMT S. B. Gardi Department of English, MKBU.



'1984' as Dystopian Fiction


Table of contents:-

  • Introduction
  • George Orwell
  • Dystopian Fiction
  • Characteristics of Dystopian Fiction
  • 1984 as Dystopian Fiction
  • Conclusion


Introduction:- 


A Dystopia is a society characterised by a focus on that which is contrary to the author's ethos,such as mass poverty, public mistrust and suspicion, a police state or oppression. Dystopian usually extrapolate elements of contemporary society and this can be read as political warnings. The history of dystopian literature can be traced back to the reaction to the French Revolution of 1789, and the prospect that mob rule would produce dictatorship. Until the late 20th century it was usually anti-collectivist. Dystopian Fiction emerged as a response to utopian Fiction. Utopia is a place, state or condition that is ideally in respect of politics, laws, and conditions. 



George Orwell:-




Eric Arthur Blair is best known by his pen name George Orwell. He was an English novelist, essayist, journalist, and critic. His work is characterised by lucid prose, social criticism, opposition to totalitarianism and support of democratic socialism. Orwell produced literary Criticism, poetry, fiction and polemical journalism. He is famous for his works Animal Farm, 1984, The Road To Wigan Pier and Homage to Catalonia. 


Blair was born in India, and raised and educated in England. After school he became an Imperial policeman in Burma, before returning to Suffolk, England, where he began his writing career as George Orwell - a name inspired by a favourite location, the River Orwell. Orwell work's remains influential in popular culture and in political culture, and the adjective "Orwellian"- describing totalitarian and authoritarian social practices - is part of the English language, like many of his neologisms, such as "Big Brother", "Thought Police" , "Room 101", "Newspeak", "memory hole", "doublethink ", and "thoughtcrime". 


1984:-



1984 is a Dystopian social science fiction novel and cautionary tale written by George Orwell. It was published in 1949. It describes the theme of totalitarianism, mass surveillance and repressive regimentation of people and behaviour within society. The novel examines the role of truth and facts within politics and the way in which they are manipulated. The adjective Orwellian is popularized after this novel and along with many other words like double think, though police, thought crime, Newspeak and big brother have entered the English language. It is a futuristic novel which deals with real life ideas like surveillance, totalitarianism and violation of freedom of expression. Main Characters of the 1984 novel are as below.


  • Winston Smith

  • O'Brien

  • Julia

  • Big Brother

  • Syme

  • Emmanuel Goldstein


Winston Smith is the protagonist of 1984. He is the character that the reader most identifies with, and the reader sees the world from his point of view. Big Brother is a fictional character. Julia is the female character and lover of Winston Smith. O'Brien represents the party and all of its contradictions and cruelty. 


 Dystopian Fiction:- 


What is Dystopia?


Dystopia- imaginary future world serves as a moral or political warning, often of the threat of oppressive regimes. Dystopian literature are often visions of "dangerous and alienating future societies", intended to criticise current trends in culture. The term was coined in 1868 by the English Philosopher John Stuart Mill.


Dystopian is a futuristic, imagined universe in which oppressive societal control and the illusion of a perfect society are maintained through corporate, bureaucratic, technological, moral, or totalitarian control. Dystopias, through an exaggerated worst-case scenario, make a criticism about a current trend, societal norm, or political system. 


Characteristics of a Dystopian Fiction or Society:-


  • Propaganda is used to control the citizens of society.

  • Information, independent thought, and freedom are restricted.

  • A figurehead or concept is worshipped by the citizens of the society.

  • Citizens have a fear of the outside world.

  • Citizens live in a dehumanized state.

  • The natural world is banished and distrusted.

  • Citizens conform to uniform expectations, Individuality and dissent are bad.

  • Society is an illusion of a perfect utopian world. 


The genre of dystopian Fiction grew out of a response to the utopian Fiction of the 16th century. Which posited that human beings were perfectible and that alternate social and political structures could override human selfishness and antisocial behaviour. Conversely, dystopian writers believed that inherent human nature meant utopias were an impossibility, and society was doomed to get worse, not better, if people didn't actively resist the corrupting forces of power and greed.


Dystopian literature is a world in which everything is imperfect, and everything goes wrong. It shows nightmarish images about what might happen to the world in the near future. Usually the main theme of Dystopian works are rebellion, oppression, revolutions, wars, overpopulation and disasters. How Dystopian Fiction works; it shows the past of the present society which helps us understand the difference created in the new society and reason for its decline. In this 1984 to Winston finds his space and tries to remember the past. But he isn't able to, which can be read as the party's corruption on his emotional life. Parties corruption on his emotional life. Party's oppression of the memory of people.


Dystopian literature concerns the issues of humanity and society and warns the people about their weakness. This literary technique is used to discuss reality and depict issues that might happen in the future. Thus its role is to educate and give awareness to the people. Earliest dystopian works is Gulliver's Travel, it's a blueprint for dystopian literature. Imagining a world where certain trends in contemporary society are taken to extremes, exposing their underlying flaws.


The protagonist in the dystopian literature often feels trapped and struggles to escape, they question the existence of social and political systems. They have an instinct of something being terribly wrong in the society they live in and through their perspectives, they show the audience the negative aspects of the dystopian world.


Dystopian Characteristics and 1984:-


  •  Totalitarianism is used to control the citizens of society.


Totalitarianism is a form of government that attempts to assert total control over the lives of its citizens.

Totalitarianism is the main theme of the novel. It tries to warn the people from the extreme level of control and power possible under a truly totalitarian regime. In the novel we see that no one has ever seen Big Brother but still everyone has to keep following him. The name of the unknown Big Brother party not only controls social or seual life of people but controls their memory, thoughts, feelings and also over personal space. With the idea of looking for the welfare of the nation the complete surveillance over the people by party, not physically but mentally also. Even if they think against the party they were arrested under 'thoughtcrime'. As the novel progresses we see how the resistant character Winston, who is just trying to have 'Ownlife' and some rational thinking, is tortured and brainwashed by the party. The party uses a number of techniques to control its citizens, each of which is an important theme of its own in the novel. In short, totalitarian control over the people's thoughts and feelings.


  • Language as Mind Control:-



Language is one of the central characteristics of dystopian Fiction. 1984 clearly saw the control of language through its motto 'War is peace, Slavery is freedom'. With the help of language they try to play with their Minds. Orwell in the novel imagines if the language is centralized by the agency. In the Novel we see that the party is bringing new words into existence through 'newspeak'. The aim of Newspeak is: don't you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it". The party is constantly refining and perfecting Newspeak, with the idea of a completely new language which will consist of no negative language through which the party can be criticised., No one will be capable of conceptualising anything

 that might question the party's absolute power. 

 

O'Brien and Winston Smith are engaged in the ministry of Truth to use and abuse language to rewrite history and distort facts for the public consumption. The oppressive controlling part is trying to make it impossible to even conceive of disobedient or rebellious thoughts, because there would be no words with which to think them. If one does so, with an example of the Winston Orwell show, they are tortured, brainwashed and are made to love Big Brother. 


  • Technology:- 



In 1984 we could clearly see the telescreen and microphone. The party is able to monitor its members almost all of the time. Additionally, the party employs complicated mechanism to exert large-scale control on economic production and sources of information, and fearsome machinery to inflict torture upon those it seems enemies. 1984 reveals that technology. Which is generally perceived as working toward moral good. Can also facilitate the most diabolical evil.


  • Psychological Manipulation:-


In 1984 we could clearly see how party control over the Mind. The party barrages it's subject with psychological stimuli designed to overwhelm the mind's capacity for independent thought. The giant telescreen in every citizen's room blasts a constant stream of propaganda designed to make the failures and shortcomings of the party appear to be triumphant successes. The telescreen also monitor behaviour everywhere they go, citizens are continuously reminded, especially by means of the omnipresent signs reading


"Big Brother is Watching You", 


that the authorities are scrutinizing them. The party undermines family structure by inducting children into an organisation called the junior spies, which brainwashed and encourages them to spy on their parents and report any instance of disloyalty to the party. The party also forces individuals to suppress their sexual desires, treating sex as merely a procreative duty whose end is the creation of new party members. The party then channels people's pent-up frustration and emotions against the party's political enemies. Many of these enemies have been invented by the party expressly for this purpose.


  • Class Struggle:-


In 1984 , society was made up of three distinct social classes: the inner party, the industrious outer party, and vast numbers of uneducated proles. When Winston reads Goldstein's book , he learns that the history of humankinds has been a cyclical struggle between competing social groups: the High, the middle, and the low. This theory originated from the law. This theory was originated by Karl Marx and Friedrich Engels in the 19th century and became known as Marxism. At various points in the narrative, Winston entertains the hope that the proles will become conscious of their oppressed state and initiate a revolution. At other times, he despairs that since the proles cannot rebel until they become conscious, and cannot become conscious until only after they have rebelled, such a development is extremely unlikely.


  • Independence and Identity:-


While the party's primary tool for manipulating the populace is the control of history,they also control Independence and identity. For example, the basic traits of establishing one's identity are unavailable to Winston and the other citizens of Oceania. Winston does not know whether he is married or not. He does not know whether his mother is alive or dead. None of his childhood memories are reliable, because he has no photos or documents to help him sort real memories from imagined ones. Instead of being unique individuals with specific, identifying details, every member of the outer party is identical. All party members wear the same clothing, smoke the same brand of cigarettes, drink the same brand of gin, and so forth. As such, forming a sense of an individual's identity is not only psychologically challenging, but logistically difficult.


Most of Winston's significant decisions can be interpreted as attempts to build a sense of identity. His decision to purchase a dairy and begin recording his thoughts is an attempt to create memory and history. His decision to purchase the paperweight is driven by a desire to have something of his own that represents a time before the party. Ultimately, though, Winston's attempts to maintain his independence and create a unique identity are no match for his individuality. When he is returned to society he has lost all independence and uniqueness, and has become part of the party's faceless collective.


Conclusion:-


In short, Orwell's 1894 is known as dystopian Fiction. The society in 1984 is always in fear of wars, government surveillance and political oppression of free speech. Totalitarianism destroys the individuality and identity of one. All these things we can see in the novel '1984'. 


Words Count:- 2,118

Images:-